Tuesday, October 30, 2007

American Minor

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American Minor is a five-piece guitar-driven rock and roll band that hails from the Kanawha River valley of southern West Virginia, not exactly known for being a hotbed of musical activity or a hotbed of anything else really. For the past year, when their van hasn't been breaking down on the highway, they've been practicing at blistering volumes in a run-down century old farmhouse in Champaign, Illinois.

Four out of the five members have spent time living in a trailer, three have done construction work, none of them come from musical families, and while all five will agree that Deep Purple is an awesome rock group, all five will say the same thing about Fugazi. Ask these young men anything more about their influences and they'll gladly admit to worshiping at the altar of the classics: Stones, Skynyrd, AC/DC, Ramones, Heartbreakers, Mats', Lennon, Sabbath. They speak 'indie-rock' with equal fluency and are just as likely to give it up for Pavement or The Refused. Must be a generational thing -- or maybe these boys just love great music and don't really care what you call it.

These West Virginians pride themselves on writing songs with no pomp or circumstance, about things they experience in everyday life: the mentally ill struggling in the streets of their dilapidated hometown, the police interrogating a suicidal neighbor late at night in their apartment building and the deranged people they wished they never had the opportunity to meet.

When asked about their "mission" as a band, lead vocalist Robert McCutcheon points out the absurdity of that question, "Last time I checked, rock bands don't go on missions, the only thing I can really think to say in response to that question is that we're an American band. And in accordance to the well-established and long-standing tradition of the 'American Band', we're coming to your town--we come to party down."




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American Hi-Fi

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Drummer Stacy Jones already had his hand in rock & roll prior to his gig with American Hi-Fi. Having been a part of some of the 1990's biggest alternative acts, Letters to Cleo and Veruca Salt, Jones turned his experience inside out for his own musical project. While working on Nina Gordon's Tonight and the Rest of My Life solo album, Jones looked toward the vibrancy of Cheap Trick and cast the healthy rock sounds of American Hi-Fi. Jones, guitarist Jaime Arentzen, bassist Drew Parsons, and drummer Brian Nolan established home base in his native Boston and signed to Island to issue their eponymous debut in 2001. The album spawned the catchy radio single "Flavor of the Weak", and was followed by plenty of touring, Live From Tokyo (2002), and Art of Losing (2003). And yet, soon after Losing's release, Island gave American Hi-Fi the heave-ho. Undeterred, Jones moved Hi-Fi's HQ to Los Angeles, hooked up with producer Butch Walker, and got to work recording a new record. Hearts on Parade was released in Japan first, and as they shopped for a domestic label Jones and his band went out on tour with Walker. Maverick eventually expressed interest, and Parade was issued stateside in April 2005. ~ MacKenzie Wilson, All Music Guide



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Amen (hardcore)

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Neo-metal act Amen was formed in Los Angeles in 1994 by singer Casey Chaos and guitarist Paul Fig; eventually onetime Ugly Kid Joe drummer Shannon Larkin signed on, bringing with him ex-Snot guitarist Sonny Mayo and ex-Snot bassist John "Tumor" Fahnestock as well, and this line-up signed to the newly-formed Roadrunner imprint I Am Records in early 1999. Their self-titled debut LP followed later that year and their sophomore effort We Have Come for Yor Parents was issued in fall 2000, turning lots of heads. A string of misfortunes and missed opportunities soon followed, including abandonment by bandmates, plunging frontman Casey Chaos into a period of frustration and betrayal, a dark chapter which he documented into songs that can be heard on Amen's latest record, Death Before Musick. Casey Chaos has a history of overcoming adversity, and through his songs he's turned negativity, ongoing health problems, and music industry qualms into an appealing positive. With a new line up, where Chaos found four do-or-die-trying soul mates: Matt Montgomery (guitar), Rich Jones, formerly of the Black Halos (guitar), Scott S. Sorry (Bass), and Luke Johnson (drums), Amen was finally able to deliver Chaos' uncompromising messages with visceral purity. Casey Chaos met System Of A Down guitarist Daron Malakian at Australia's "Big Day Out" festival in 2002, and the two instantly connected through their mutual love of punk rock, black metal and Iggy Pop. Therefore, when Malakian heard Chaos's latest demos, he knew he had to be involved, to the point where he staked his reputation on Amen and made them the first signing to his eatURmusic label. "I see Casey as a visionary" declares Malakian, "Someone who really goes up there and gives 100% of his physical being and self." At this point, the UK has already embraced Amen's abrasive punk/metal genius, and Chaos & co. have amassed a string of magazine covers and high profile awards across the pond, including being voted 'Overall Best Band In The World' and 'Best Live Band In The World' by readers of flagship hard rock magazine Metal Hammer. In 2002 Amen became the first unsigned band to play the main stages at England's prestigious Reading and Leeds festivals, while metal bible Kerrang! magazine drooled that "this is the sound of the 21st Century." Death Before Musick is Amen's most song-driven disc to date, yet retains the signature nothing-to-lose vitriol and unflinching integrity - a black flower in a white desert of increasingly corporate, conformist rock records. Death Before Musick is Amen's definitive musical statement, a furious, frenetic outpouring of pummeling punk irreverence and caffeinated hard-core angst, laced with serrated metal edges and a Sex Pistol's sneer. "In my opinion it's the most influential record we've made," Chaos announces. "There's metal moments, there's real punk moments ... a lot of attitude, honesty and passion." From the ominous opening strains of "Liberation For ...," Death Before Musick channels '70s and '80s punk rock(Sex Pistols, Black Flag, Fugazi), modern metallic menace, and a flailing, anarchistic adrenaline which is all their own. Amidst the crafted chaos, the big hooks still swing: "Hello (One Chord Lovers)" and "California's Bleeding" will pinball around your brain for days. Amen have made a timeless record because rage, alienation and great songs never go out of fashion. With Death Before Musick, Amen are armed to infiltrate airwaves and audiences everywhere. Brace yourselves.



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American Head Charge

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Born out of a chance meeting in rehab between Cameron Heacock and Chad Hanks, Minneapolis-based industrial metal collective American Head Charge match their brutally executed music with their behavior. Heacock and Hanks, now known as Martin Cock and Mr. H.C. Banks III, formed AHC in the late '90s, releasing their critically acclaimed debut, War of Art, in 2001. The record scored the band -- which by then included guitarist Bryan Ottoson, keyboardist Justin Fowler, and drummer Christopher Emery -- a coveted slot on that year's Ozzfest tour, at which point the group splintered into a violent, drug-fueled nonentity that became known more for its on-stage/backstage mayhem than for its excellent musicianship. As the year progressed, the bandmembers, despite frequent trips back to rehab and the occasional near-suicidal meltdown, managed to continue to filter their rage into creativity, resulting in their 2005 ambitious sophomore effort, Feeding, their first for the Nitrus/DRT label. ~ James Christopher Monger, All Music Guide



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Amel Larrieux

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R&B singer-songwriter Amel Larrieux grew up in New York's Greenwich Village; her mother, Brenda Dixon Gottschild, was a dance critic and professor, and she was raised in an artistic environment. She formed Groove Theory, a duo with former Mantronix member Bryce Wilson (AKA Bryce Luvah), which signed to Epic Records and scored a gold-selling Top Ten pop and R&B hit in October 1995 with "Tell Me," followed by the Groove Theory album, which hit the Top 20 of the R&B charts. In 1996, Larrieux was a vocalist on the self-titled album by Sweetback, an instrumental group made up of former members of Sade's backup band, which reached the charts. Larrieux released her debut solo single, "Get Up," in November 1999, and it reached the R&B charts. Her debut solo album, Infinite Possibilities, was released by Epic/550 Music in February 2000. Larrieux teamed with crooner Glenn Lewis and recorded "What's Come Over Me?" for the Barbershop soundtrack, released in 2002. The two reunited a year later and appeared on Stanley Clarke's 1, 2, to the Bass album with their version of "Where Is the Love," a performance that earned them a Grammy nomination. In 2004, she moved to the Blisslife label for Bravebird, followed in 2006 by Morning. ~ William Ruhlmann, All Music Guide



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