the Almost

The Almost is an emo solo project by Aaron Gillespie, drummer and occasional lead singer for Underoath, the Christian metalcore outfit he co-founded in 1998. Choosing to come out from behind the skins like his idol Dave Grohl before him, the Florida-bred Gillespie (who relocated to Salt Lake City in early 2007, following his marriage) wanted to explore a different outlet for his songwriting outside of his hard-hitting main gig. Written as Underoath was recording their critically acclaimed 2006 album Define the Great Line (and recorded soon after that album's completion), the songs on the Almost's melodically-inclined debut album, April 2007's Southern Weather, are pointedly lacking Underoath's metalcore sound; the album's first single, "Say It Sooner," features a rhythm guitar track directly inspired by Johnny Cash's original musical partner, Luther Perkins, among others. Although Gillespie played all of the instruments on Southern Weather, which was jointly released by Tooth and Nail and Virgin, he formed a full band version of the Almost for touring purposes. This incarnation featured himself on vocals, guitarist Jay Vilardi, bassist Alex Aponte, and drummer Kenny Bozich. ~ Stewart Mason, All Music Guide

Lily Allen

With her omnivorous musical tastes and cheeky attitude, London-based pop singer/songwriter Lily Allen made a name for herself almost as soon as she released her demos on the Internet. The daughter of comedian Keith Allen, Lily spent most of her childhood bouncing from one school to another -- in fact, she attended 13 different schools between the ages of five and 15. This constant moving meant she didn't have much of a chance to make lasting friendships, so Allen entertained herself with books and, especially, music: she listened to everything from T. Rex, the Specials, and the Slits to the Happy Mondays and drum'n'bass, and even ran away to see the Glastonbury Festival when she was 14. After she left school a year later, she realized that music was the only career for her. Allen concentrated on her songwriting and singing, developing a style that was equally sweet and bratty; late in 2005, she set up a MySpace page and posted demos of her songs, as both individual tracks and as part of two limited-edition "mixtapes" that also featured tracks by Dizzee Rascal, Creedence Clearwater Revival, and Ludacris. The critical acclaim for her work fueled Allen's publicity, leading to tens of thousands of friends on MySpace, airplay on BBC Radio One, and a record deal with Regal/Parlophone before the end of 2005.

Allen began working on her full-length album with producers such as Greg Kurstin, Mark Ronson (with whom she also collaborated on a cover of the Kaiser Chiefs' "Oh My God" that appeared on her second mixtape), and Futurecut, and released a limited-edition 7" of LDN as her debut single in spring 2006. Both LDN and Smile, which followed that summer, were chart successes, with the former reaching number seven on the U.K. chart and the latter hitting number one the week it debuted. Hot on the heels of Smile came Allen's first full-length, Alright, Still, which she supported with a slew of dates stretching out to the end of the year. Despite the speed of her success, Allen continued to update her MySpace page with amusing blog rants, including one about her June 2006 appearance on Top of the Pops that berated the lead singer of the Kooks for "wearing broken straw hats and dark sunglasses" indoors and Dirty Pretty Things for having "organic sliced bread on the rider." Allen rang in 2007 with more tour dates, including gigs in Japan, Australia, and the U.S., and the U.S. release of Alright, Still. She also earned nominations for British Breakthrough Act and British Female Solo for that year's Brit Awards, while "Smile" and Alright, Still were nominated for British Single and British Album, respectively. ~ Heather Phares, All Music Guide

Alicia Keys

Her official website says she possesses an "old soul," and the hard facts seem to back up the implied claim of wisdom and experience that transcend Alicia Keys' youth. Barely in her twenties, Keys was responsible for an extremely hot debut, Songs in A Minor. The release, which she wrote and produced for Clive Davis' J Records, blends diverse influences, including R&B, hip-hop, classical, and jazz. The day the album went on the market, it sold more than 50,000 copies. Label executives confidently predicted similarly favorable numbers for the first week's tally.

Around the time that Songs in A Minor was released, Keys was popping up everywhere, including an Associated Press story. Where had she been before then? Her entire life, it seems, had been an accelerated learning experience, preparing her for a career in music. A Manhattan native, her musical gifts became apparent when she was five years old. As a choir major enrolled in Manhattan's Professional Performance Arts School, she further developed her vocal talents with extra help from a teacher. By the time she was 16, Keys graduated and entered Columbia University. Music beckoned, however, and she quickly left Columbia behind.

Keys was writing songs when she was 14, with seven years of piano lessons under her belt by that time. In later years, she appeared on movie soundtracks, including Shaft and Men in Black. In 1998, she signed a deal with Arista Records when the company triumphed in a bidding war over other labels. When Davis left the company for J Records in 1999, Keys went along. Davis promoted the careers of such artists as Carlos Santana and Whitney Houston, and part of his launch strategy for Keys was to secure exposure on BET and MTV, as well as on The Oprah Winfrey Show. Her 2001 major-label debut, Songs in A Minor, hit number one, went multi-platinum, and was followed in 2003 by another chart-topper, The Diary of Alicia Keys, which became a Grammy winner. The live CD/DVD Unplugged appeared in 2005, following her previous releases to the top of the charts. ~ Linda Seida, All Music Guide

The Album Leaf

The Album Leaf is the one-man solo project of Tristeza guitarist Jimmy LaValle. By taking elements of classical, jazz, and post-rock, LaValle constructs his pieces utilizing ambient noise, field recordings, and radio transmissions. A collaboration between Linkwork and Music Fellowship sparked the Album Leaf's first full-length, An Orchestrated Rise to Fall, in 1999. An EP (In an Off White Room) preceded the release of LaValle's second album, One Day I'll Be on Time, on Tiger Style in March 2001. The Album Leaf opened for Sigur Rós' first tour of the U.S. later that fall. By the time he began recording his third album, he'd secured the services of Sigur Rós' Iceland studios, along with several of its bandmembers. The results, In a Safe Place, appeared on Sub Pop in June 2004. The EP Seal Beach, originally issued in 2003 in Spain, appeared stateside in early 2005, and LaValle's next album, Into the Blue Again, followed in September 2006. ~ Mike DaRonco, All Music Guide

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Alanis Morissette

Alanis Morissette was one of the most unlikely stars of the mid-'90s. A former child actress turned dance-pop diva, Morissette transformed herself into a confessional alternative singer/songwriter, in the vein of Liz Phair and Tori Amos. However, she added enough pop sensibility, slight hip-hop flourishes, and marketing savvy to that formula to become a superstar with her third album, Jagged Little Pill.

Morissette was born and raised in Ottawa, Canada. In her childhood, she began playing piano and writing songs. At the age of ten, she joined the cast of You Can't Do That on Television, a children's television program. Using money that she earned on the show, Morissette recorded an independent single, "Fate Stay With Me," which was released when she was ten. After leaving the show, she concentrated on a musical career, signing a music publishing contract when she was 14. The publishing contract led to a record deal with MCA Canada. In 1991, she moved to Toronto and released her debut album, Alanis.

Alanis was a collection of pop-oriented dance numbers and ballads that was successful in Canada, selling over 100,000 copies, and leading to a Juno Award for Most Promising Female Artist. However, no other country paid any attention to the record. In 1992, she released Now Is the Time, an album that closely resembled her debut. Like its predecessor, it was a success in Canada, even if it sold half of what Alanis did. Following the release of Now Is the Time, Morissette relocated to Los Angeles, where she met Glen Ballard in early 1994. Ballard had previously written Michael Jackson's hit "Man in the Mirror," produced Wilson Phillips' hit debut album, and worked with David Hasselhoff. Despite the duo's mainstream pop pedigree, they decided to pursue an edgier, alternative rock-oriented direction. The result was Jagged Little Pill, which was released on Maverick Records, Madonna's label.

On the strength of the single "You Oughta Know," Jagged Little Pill gained attention upon its release in the summer of 1995. Soon, the single received heavy airplay from both alternative radio and MTV, sending the album into the Top Ten and multi-platinum status. The second and third singles from Jagged Little Pill, "Hand in My Pocket" and "All I Really Want," kept the album in the Top Ten. In early 1996, she was nominated for six Grammys. Shortly after the nominations, Morissette released her fourth single, "Ironic," which proved to be her biggest crossover success. Morissette won several Grammy awards in 1996, including Album of the Year and Song of the Year.

Her much-anticipated follow-up, Supposed Former Infatuation Junkie, was released in the autumn of 1998. An Unplugged set appeared a year later, and in 2002 Morissette released Under Rug Swept. So-Called Chaos followed in 2004, and a year later she took Jagged Little Pill on the road as an acoustic tour. That tour became Jagged Little Pill Acoustic, an album originally -- and tellingly -- sold exclusively through Starbucks outlets. Morissette and her fans had grown up. Collection, an 18-track retrospective of her work, followed in November 2005. ~ Stephen Thomas Erlewine, All Music Guide

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al kapone

A pioneer of the raucous Dirty South Crunk/Buck style of hip-hop popularized by Lil Jon and The Eastside Boys, Al Kapone is a mainstay of the Memphis, Tennessee independent rap scene and a major musical contributor to the MTV Film Hustle &Flow. Kapone gained fame on the Memphis music scene with solo albums like 2001's Anything Goes, Goin All Out (2002), They Dykin' (2003) and numerous mixtapes and collaborations with hometown heroes Mr. Sche and Pimpminista. Hustle & Flow writer/director Craig Brewer tapped Kapone to write and produce many of the songs performed by the film's protagonist D-Jay (played by Terrence Howard), and he takes a turn at acting, playing a member of Skinny Black's (Ludacris) entourage. Al Kapone is currently working on a new album and planning a tour featuring southern rap legends 8Ball & MJG.

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al green

Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early '70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings. The distinctive Hi Records sound that the vocalist and producer Willie Mitchell developed made Al Green the most popular and influential soul singer of the early '70s, influencing not only his contemporaries, but also veterans like Marvin Gaye. Green was at the peak of his popularity when he suddenly decided to join the ministry in the mid-'70s. At first, he continued to record secular material, but by the '80s, he was concentrating solely on gospel. During the late '80s and '90s, he occasionally returned to R&B, but he remained primarily a religious performer for the rest of his career. Nevertheless, Green's classic early- '70s recordings retained their power and influence throughout the decades, setting the standard for smooth soul.

Green was born in Forest City, Arkansas, where he formed a gospel quartet, the Green Brothers, at the age of nine. The group toured throughout the South in the mid- '50s, before the family relocated to Grand Rapids, Michigan. The Green Brothers continued to perform in Grand Rapids, but Al's father kicked the boy out of the group after he caught his son listening to Jackie Wilson. At the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and had the group record for the label. By that time, the Creations had been re-named the Soul Mates. The group's first single, "Back Up Train," became a surprise hit, climbing to number five on the R&B charts early in 1968. The Soul Mates attempted to record another hit, but all of their subsequent singles failed to find an audience.

In 1969, Al Green met bandleader and Hi Records vice president Willie Mitchell while on tour in Midland, Texas. Impressed with Green's voice, he signed the singer to Hi Records, and began collaborating with Al on his debut album. Released in early 1970, Green's debut album Green Is Blues showcased the signature sound he and Mitchell devised -- a sinewy, sexy groove highlighted by horn punctuations and string beds that let Green showcase his remarkable falsetto. While the album didn't spawn any hit singles, it was well-received and set the stage for the breakthrough success of his second album. Al Green Gets Next to You (1970) launched his first hit single, "Tired of Being Alone," which began a streak of four straight gold singles. Let's Stay Together (1972) was his first genuine hit album, climbing to number eight on the pop charts; its title track became his first number one single. I'm Still in Love With You, which followed only a few months later, was an even greater success, peaking at number four and launching the hits "Look What You Done for Me" and "I'm Still in Love With You."

By the release of 1973's Call Me, Green was known as both a hitmaker and an artist who released consistently engaging, frequently excellent, critically-acclaimed albums. His hits continued uninterrupted through the next two years, with "Call Me," "Here I Am," and "Sha-La-La (Make Me Happy)" all becoming Top Ten gold singles. At the height of his popularity, Green's former girlfriend, Mrs. Mary Woodson, broke into his Memphis home in October 1974 and poured boiling grits on the singer as he was bathing, inflicting second-degree burns on his back, stomach and arm; after assaulting Green, she killed herself with his gun. Green interpreted the violent incident as a sign from God that he should enter the ministry. By 1976, he had bought a church in Memphis and had become an ordained pastor of the Full Gospel Tabernacle. Though he had begun to seriously pursue religion, he had not given up singing R&B and he released three other Mitchell-produced albums -- Al Green Is Love (1975), Full of Fire (1976), Have a Good Time (1976) -- after the incident. However, his albums began to sound formulaic, and his sales started to slip by the end of 1976, with disco cutting heavily into his audience.

In order to break free from his slump, Green stopped working with Willie Mitchell in 1977 and built his own studio, American Music, where he intended to produce his own records. The first album he made at American Music was The Belle Album, an intimate record that was critically acclaimed but failed to win a crossover audience. Truth and Time (1978) failed to even generate a major R&B hit. During a concert in Cincinnati in 1979, Green fell off the stage and nearly injured himself seriously. Interpreting the accident as a sign from God, Green retired from performing secular music and devoted himself to preaching. Throughout the '80s, he released a series of gospel albums on Myrrh Records. In 1982, Green appeared in the gospel musical Your Arms Too Short to Box With God with Patti Labelle. In 1985, he reunited with Willie Mitchell for He Is the Light, his first album for A&M Records.

Green tentatively returned to R&B in 1988 when he sang "Put a Little Love in Your Heart" with Annie Lennox for the Bill Murray comedy Scrooged. Four years later, he recorded his first full-fledged soul album since 1978 with the U.K.-only Don't Look Back. Al Green was inducted to the Rock & Roll Hall of Fame in 1995. That same year, he released Your Heart's in Good Hands, an urban contemporary record that represented his first secular album to be released in America since Truth and Time. Though the album received positive reviews, it failed to become a hit. Green did achieve widespread recognition eight years later with his first album for Blue Note, I Can't Stop. One and a half years, he followed it with Everything's OK. ~ Stephen Thomas Erlewine, All Music Guide

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akon

Although he was born in St. Louis, Aliaune Thiam -- aka Akon -- grew up in Senegal before he and his family (including his father, jazz percussionist Mor Thiam) returned to the United States and settled in New Jersey when he was seven. There he discovered hip-hop for the first time, as well as crime. He was eventually jailed, but he used the time to work on his musical ideas. Upon release, Akon began writing and recording tracks in a home studio. The tapes found their way to SRC/Universal, which eventually released Trouble, Akon's debut LP, in June 2004. The album was an interesting hybrid of Akon's raps and silky, West African-styled vocals with East Coast- and Southern-styled beats. The success of the song "Locked Up" raised Akon's profile, and he followed up in the fall of 2006 with Konvicted. Soon enough, two of the album's singles, "I Wanna Love You" and "Smack That," had made their way to the upper regions of the Billboard charts. ~ Johnny Loftus, All Music Guide


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Air Supply

With their heavily orchestrated, sweet ballads, the Australian soft rock group Air Supply became a staple of early-'80s radio, scoring a string of seven straight Top Five singles. Air Supply, for most intents and purposes, was the duo of vocalists Russell Hitchcock and Graham Russell; other members came through the group over the years, yet they only functioned as backing musicians and added little to the group's sound. Hitchcock and Russell met while performing in a Sydney, Australia, production of Jesus Christ Superstar in 1976. The two singers formed a partnership and with the addition of four supporting musicians -- keyboardist Frank Esler-Smith, guitarist David Moyse, bassist David Green, and drummer Ralph Cooper -- Air Supply was born.

For several years, the group gained no attention outside of Australia, earning one significant hit single, "Love and Other Bruises." Their first international exposure came in the late '70s, when Rod Stewart had them as his opening act on a North American tour. Air Supply signed a record contract with Arista in 1980, releasing their first album by the end of the year. Lost in Love, their debut, was a major success in the U.S., selling over two million copies and spawning the hit singles "Lost in Love," "All Out of Love," and "Every Woman in the World." The following year they released their second album, The One That You Love. The title track became their only number one hit and it also featured two other Top Ten hits, "Here I Am (Just When I Thought I Was Over You)" and "Sweet Dreams." With their third album, 1982's Now and Forever, their popularity dipped slightly -- it only had one Top Ten hit, "Even the Nights Are Better," and the other two singles, "Young Love" and "Two Less Lonely People in the World," scraped the bottom of the Top 40. Air Supply released a Greatest Hits collection in 1983, featuring a new single, "Making Love Out of Nothing at All." The single spent two weeks at number two while the album peaked at number seven and eventually sold over four million copies.

Two years later, they released Air Supply, their fourth album. It featured the number 19 single "Just As I Am," but it was clear that their audience was shrinking -- the album was their first not to go platinum. Hearts in Motion (1986) was even less successful, peaking at number 84 and spending only nine weeks on the charts. After its disappointing performance, Air Supply broke up. Hitchcock and Russell reunited in 1991, releasing Earth Is..., but the album failed to make the charts as did 1993's Vanishing Race and 1995's News From Nowhere. The new millennium marked the band's first studio album in four years, and a summer tour in support of Yours Truly. ~ Stephen Thomas Erlewine, All Music Guide

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air

More apt to cite stately rock paragons Burt Bacharach and Brian Wilson as their inspirations than Derrick May or Aphex Twin, the French duo Air gained inclusion into the late-'90s electronica surge due chiefly to the labels their recordings appeared on, not the actual music they produced. Their sound, a variant of the classic disco sound coaxed into a relaxing Prozac vision of the late '70s, looked back to a variety of phenomena from the period -- synthesizer maestros Tomita, Jean-Michel Jarre, and Vangelis, new wave music of the nonspiky variety, and obscure Italian film soundtracks. Despite gaining quick entrance into the dance community (through releases for Source and Mo' Wax), Air's 1998 debut album, Moon Safari, charted a light -- well, airy -- course along soundscapes composed with melody lines by Moog and Rhodes, not Roland and Yamaha. The presence of several female vocalists, an equipment list whose number of pieces stretched into the dozens, and a baroque tuba solo on one track -- all of this conspired to make Air more of a happening in the living room than the dancefloor.

Though Nicolas Godin and Jean-Benoît Dunckel both grew up in Versailles, the two didn't meet until they began studying at the same college. Dunckel, who had studied at the Conservatoire in Paris, played in an alternative band named Orange. One of Dunckel's bandmates, Alex Gopher, introduced Godin into the lineup. While Gopher himself departed (later to record for the Solid label), Dunckel and Godin continued on, becoming Air by 1995. During 1996-1997, the duo released singles on Britain's Mo' Wax ("Modular") and the domestic Source label ("Casanova 70," "Le Soleil Est Prés de Moi"). Though Air often evinced the same '60s Continental charm as Dimitri From Paris -- due no doubt to the influence of Serge Gainsbourg -- the duo had little in common musically with other acts (Daft Punk) in the wave of French electronica lapping at the shores of Britain and America during 1997. That same year, Air remixed Depeche Mode and Neneh Cherry and joined French musique concrète popster Jean-Jacques Perrey for a track on the Source compilation Sourcelab, Vol. 3.

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Aimee Mann

During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than 'Til Tuesday's albums, and received uniformly positive reviews upon its release in the summer of 1993. However, the album was only a small hit, spending only seven weeks on the American charts, where it peaked at 127. Nevertheless, Whatever rejuvenated her career -- after its release, critics were praising her songwriting, as were peers like Elvis Costello, Difford & Tilbrook, and Andy Partridge.

Early in 1995, Mann had a modest hit with "That's Just What You Are," a song included on the soundtrack to the television series Melrose Place. Following the success of the single, Mann was set to release her second solo album in the spring of 1995, but her record label, Imago, filed for bankruptcy before its release. She signed a contract with Reprise Records after Imago went under, but Imago prevented her from releasing any records. For most of 1995, Mann battled Imago in an attempt to free herself from the label, eventually winning her independence at the end of the year. After her dispute with Imago was settled, she signed with DGC Records. Mann's second album, I'm with Stupid, was released in England in the late fall of 1995 and in January of 1996 in America. Again, it was greeted with positive reviews yet weak sales.

Mann's career got a kick-start in early 2000, however, when she released her soundtrack for the critically acclaimed film Magnolia; the song "Save Me" was later nominated for an Academy Award. Originally available only at live dates, the solo Bachelor No. 2 received national release in the spring. In the summer of 2002, Mann returned to the forefront with the self-released Lost in Space. Late 2004 saw the release of Live at St. Ann's Warehouse, a CD/DVD package recorded during her summer tour. It was followed in 2006 by the critically acclaimed Forgotten Arm, a concept album built around the return from Vietnam of a drug-addicted boxer. Mann released a collection of Christmas songs called One More Drifter in the Snow in 2006. ~ Stephen Thomas Erlewine, All Music Guide

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aiden

Hailing from rainy Seattle, Aiden combines post-hardcore and punk attitudes with gothic aesthetics and a love of all things horror (not to mention, of course, the Misfits) to create surging, darkly melodic music. The group formed in the spring of 2003 while its members were still in high school, taking their name from the young, ghost-seeing boy in the 2002 horror flick The Ring. A few lineup changes occurred early on; the quintet -- Nick Wiggins (bass), Jake Davison (drums), Angel Ibarra (guitar), Jake Wambold (guitar), and William "wiL" Francis (vocals) -- was solidified, however, before entering the studio in December 2004 to record their debut full-length, Our Gang's Dark Oath. Making two-song samplers of their album, Aiden managed to pass out a few thousand copies around town, sparking a word-of-mouth buzz all over Seattle. Their debut was released in June 2004 on Dead Teenager, and the band played countless shows throughout the year -- whenever school would allow. Their hard work paid off quickly, inking a deal with Victory Records by December. All members were finally done with high school by June 2005, and Aiden was free to tour, jumping on the road that summer with the Hurt Process, the Audition, and the Junior Varsity. Their first label effort, Nightmare Anatomy, appeared in October 2005, proving to be a slickly energetic record with undeniable hooks despite somewhat morose lyrical content. Touring with label mates Hawthorne Heights, Bayside, and Silverstein rounded out the year before Aiden headed back out to support 30 Seconds to Mars nationwide in the first half of 2006. Victory then re-released Our Gang's Dark Oath with new artwork in April 2006, the Rain in Hell EP arriving just in time for that year's Halloween. In August of 2007, the band issued Conviction, an album that took them away from their screamo tendencies towards more rock-oriented, melodic terrain. ~ Corey Apar, All Music Guide


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Clay Aiken

As the runner-up to Fox TV's second American Idol: The Search for a Superstar competition, vocalist Clay Aiken wowed television audiences in 2003 with his Southern charm, sweet demeanor, and bright, glorious voice, and became a pop star. Originally, Aiken planned to try out for the reality TV series The American Race, but went ahead and auditioned for the talent contest to please an encouraging friend. Out of 7,000 hopefuls, the Charlotte, NC, native won the hearts of the judges as well as millions of fans across the globe.

Born November 30, 1978, Aiken was singing at an early age. Unlike most young kids, Aiken was confident and ready to impress a crowd. He was already singing the Dolly Parton/Kenny Rogers classic "Islands in the Stream" at a local high school dance by age five. Two year later, he was buying albums through a mail-order catalog, eager to get his hands on any kind of music. Aiken's vocal talent was blossoming and by the time he reached his teenage years, he was a regular member of the Raleigh Boys Choir. Countless roles in various musicals, (The Music Man, Oklahoma!), stage plays, and playhouse shows allowed Aiken to hone his gift.

When it came time to go to college, music wasn't Aiken's calling per se. He studied special education instead and had dreams of attending William & Mary for a master's degree in administration. Before he could further his education, Aiken ended up wooing 21 million television viewers each week from February to May with his sensational singing voice. His rendition of Simon & Garfunkel's "Bridge Over Troubled Waters" sewed him a spot among America's hearts. Although he finished second to Ruben Studdard, Aiken's loss was not taken lightly. He landed a deal with RCA through Simon Fuller's 19 Recordings Limited within weeks of the show's finale.

That same month, Aiken's debut single, "This Is the Night," made history by going number one on Billboard's Hot 100 chart. It sold more than 392,000 copies during its first week, beating Elton John's record for "Candle in the Wind 1997." In October 2003, Aiken issued his studio full-length, The Measure of a Man. Once again, the little guy with the big voice made a big splash. The Measure of a Man sold 613,000 copies and went to number one on Billboard's Top 200 during its first week of release. His first holiday effort, Merry Christmas with Love, followed in November 2004. The album debuted at number one on Billboard's Top Holiday Albums chart, giving Merry Christmas with Love the biggest debut week sales figures for a Christmas album in SoundScan history. Aiken released A Thousand Different Ways in September 2006. ~ MacKenzie Wilson, All Music Guide

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Aidan Hawken

As the frontman for San Francisco-based rock outfit Highwater Rising, singer/songwriter Aidan Hawken found many of his band's songs appearing on various hit TV shows over the years, including The OC, Sex and the City, Boston Public, and One Tree Hill. A Bay Area native, Hawken relocated to Los Angeles in spring 2005. That same year, he issued his first solo effort, Pillows & Records, on Box 29 Records. Comparable to Elliott Smith, Hawken enlisted various musician friends to help with the album, including guitarist Chuck Prophet. ~ Corey Apar, All Music Guide


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a-ha

Pal Waaktaar and Magne Furuholmen, formerly of Bridges formed a-ha in the early '80s. Morten Harket joined the duo, and they left for the now 'legendary London flat' (so called because of its state of disrepair) to make it. By late 1983 they had achieved part of that goal by signing to WEA. "Take on Me" took three times to become a hit in the UK, eventually hitting #2 in November 1985. Going one better in the U.S. mainly due to the wide exposure of its stunning video on MTV, which fused animation with real-life action, their only further hit there was "The Sun Always Shines on T.V." which became a UK number one in early '86 helping take the album Hunting High and Low to the Top Ten. Mostly an album of synth-pop, the press were quick to dismiss them as a teeny bop sensation; however, there was more to a-ha than met the ear in Waaktaar's writing and a matured effort Scoundrel Days, which was released in October, 1986. More focused, it had a stronger band feel thanks to live drumming displayed to great lengths on "The Swing of Things and lead single "I've Been Losing You" -- a shock to critics at the time. Further striking imagery accompanied "Cry Wolf." After a world tour, a-ha supplied the soundtrack to the James Bond flick The Living Daylights. A remix appeared on their third album, Stay on These Roads, in 1988. Considered lackluster, Stay on These Roads did feature some interesting lyrics in "Blood That Moves the Body," regarding the over-intense affection the Japanese had for popular icons in their kamikaze-like suicides. On a lighter note, one of the famous quotes of this period came from Waaktaar: commenting on Def Leppard's success with Hysteria, he scoffed that a-ha were more rock & roll! In 1990, a-ha were commended by the Everly Brothers for their rendition of "Crying in the Rain" from their fourth album, East of the Sun, West of the Moon, which was largely ignored in the U.K. due to a shift in interests towards dance and Manchester scene. 1993 heralded some much needed new blood in the U2 terrain of "Dark Is the Night" from the Memorial Beach album. Following the unfortunate lack of success following Memorial Beach, Furuholmen retreated into the art world while Waaktaar released the album Mary Is Coming with his new band Savoy. Seven years after the release of Memorial Beach, a-ha issued Minor Earth Major Sky in summer 2000. Lifelines from 2002 sold well in Europe and was followed by a lengthy tour, documented on the live album How Can I Sleep With Your Voice in My Head, which was released in 2003. A year later the band celebrated their 20th anniversary by releasing Singles 1984-2004, a collection that would put them back on the U.K. Top 20 Albums chart. In July of 2005 the band performed in Berlin as part of the massive worldwide event Live8. In November they released the new album Analogue. It was supported by a worldwide tour that included gigs in Russia and a festival in Chile. ~ Kelvin Hayes, All Music Guide


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