Christina Milian

Cuban-American Christina Milian was born in New Jersey but raised in Maryland, making her debut as an actress at a very young age while playing a role in a children-oriented musical, working as junior journalist for The Walt Disney Company, and making guest appearances on Sister Sister and Clueless, among other popular TV shows. Milian became seriously involved in music after singing on Ja Rule's "Between Me and You," in addition to co-writing Jennifer Lopez's "Play" and P.Y.T.'s "Same Ol Same Ol" while recording her self-titled R&B/pop debut album in 2001. Though the album fared far better in the U.K., "AM to PM" reached the Top 30 of the Hot 100 chart in the States. 2004's It's About Time, anchored by the Top Ten hit "Dip It Low," was much more successful. Milian's third album, So Amazin', helmed almost entirely by Cool & Dre, was released in 2006. ~ Drago Bonacich, All Music Guide

Brand New

Formed on Long Island, NY, Brand New appeared on the punk-pop scene in 2000. Consisting of drummer Brian Lane, vocalist/guitarist Jesse Lacey, bassist Garrett Tierney, and guitarist Vin Accardi, the band began making a name for itself on the local scene with a self-released four-song demo and shows with bands like Midtown and Glassjaw. In 2001, they issued their first record, Your Favorite Weapon, on Triple Crown, produced by friend Mike Sapone. Lacey's clever and cutting lyrics sprinkled the album, which produced the semi-hit "Jude Law and a Semester Abroad," and more touring with Taking Back Sunday and Finch followed. Proving to be more than just another punk-pop band, the group made something of a stylistic leap with Deja Entendu, a decidedly matured follow-up, recorded with Steve Haigler (Pixies, Blake Babies) and released in summer 2003 to rave reviews from critics and fans alike. Music videos for "The Quiet Things That No One Ever Knows" and "Sic Transit Gloria...Glory Fades" found constant airplay on MTV, while earning Brand New slots with New Found Glory, Good Charlotte, Dashboard Confessional, and blink-182. By fall, as the band's notable underground following continued to grow in strides, they inked a deal with Dreamworks, which later led to them finding a home on Interscope following the former label's buyout. Touring eventually slowed to a halt as Brand New holed themselves up to work on their third full-length and major-label debut. After an extended quiet spell -- little to no interviews or updates came from the band's camp for quite some time -- Brand New finally emerged in summer 2006 for U.S. headlining dates, their first nationwide tour in three years. The highly anticipated The Devil and God Are Raging Inside Me appeared in November 2006. Though significantly darker and less immediate than past efforts, the album was praised for its depth and maturity, and the band supported it on a soldout spring 2007 tour. ~ Kenyon Hopkin, All Music Guide

Chris Isaak

Chris Isaak clearly loves the reverb-laden rockabilly and country of Sun Studios. In particular, he transfers the sweeping melancholy of Roy Orbison's classic Monument singles ("Crying," "Oh, Pretty Woman," "In Dreams") to the more stripped-down, rootsy sound of Sun. His stylized take on '50s and '60s rock & roll eventually made him into a star in the early '90s, thanks to the hit single "Wicked Game."
Isaak began performing after he graduated from college, forming the rockabilly band Silvertone. The group, which featured guitarist James Calvin Wilsey, bassist Rowland Salley, and drummer Kenney Dale Johnson, would become the singer/guitarist's permanent supporting band. Isaak released his first album, Silvertone, on Warner Bros. in 1985. It was critically well received, yet it didn't sell. Two years later, he released Chris Isaak, which managed to scrape into the Top 200 album charts. After its release, the singer began an acting career with a bit part in Jonathan Demme's 1988 film Married to the Mob; he would later have parts in Wild at Heart, The Silence of the Lambs, and A Dirty Shame, as well as starring in his own situation comedy series for the Showtime cable network.
Released in 1989, Heart Shaped World initially sold more than Chris Isaak, yet it didn't manage to break big until late 1990, when the single "Wicked Game" was featured in David Lynch's Wild at Heart. Soon, the single became a Top Ten hit; the album also made it into the Top Ten and sold over a million copies. Both 1993's San Francisco Days and 1995's Forever Blue mined essentially the same vein as Heart Shaped World, yet both went gold and spawned a handful of hits. In 1996, Isaak released The Baja Sessions; Speak of the Devil followed two years later. Isaak's busy touring schedule and growing visibility as an actor kept him out of the recording studio until 2002, when he released Always Got Tonight, though in 2004 he did find time to cut his first seasonal album, Chris Isaak Christmas, which featured five new Yuletide tunes along with a batch of holiday favorites. ~ Stephen Thomas Erlewine, All Music Guide

Michelle Branch

ust three years after Michelle Branch first picked up a guitar at the age of 14, she was signed to Maverick Records with an album in stores. Branch's debut, The Spirit Room, was produced by John Shanks (Melissa Etheridge, Chris Isaak) and issued in August 2001, spawning the leadoff hit single/video "Everywhere." Although she lists such classic rock acts as Led Zeppelin, the Beatles, and Jimi Hendrix as prime influences, Branch's music is more akin to such modern-day female artists as Lisa Loeb, Alanis Morissette, and Melissa Etheridge, something her more mature 2003 album Hotel Paper displayed. In 2005 it was announced that Branch had begun a project with Nashville singer/songwriter Jessica Harp. Originally dubbed the Homewreckers, the duo shortened their name to the Wreckers and released their debut album, Stand Still, Look Pretty, in 2006. ~ Greg Prato, All Music Guide

Chris Cornell

Originally finding success as the singer/frontman of Seattle's Soundgarden, Chris Cornell also forged a successful solo career after the band's 1997 demise. Born in Seattle on July 20, 1964, Cornell's music career didn't take shape until he was a teenager, playing drums in bands that mixed punk/new wave (the Police) and metal (AC/DC) covers. Although he spent most of his teenage years withdrawn and as a loner, rock music helped Cornell overcome his uneasiness around others. After dropping out of high school and working as a cook, Cornell formed a band that, with a few lineup changes, would become the great and influential Soundgarden by the mid-'80s. Cornell switched to vocals around the time of the band's formation, with friend Hiro Yamamoto on bass, Kim Thayil on guitar, and eventually, Matt Cameron on drums.
Along with the Melvins, Soundgarden was one of the first rock bands to slow down punk's youthful energy to a Black Sabbath-like crawl. First issuing a few releases on independent labels (Sub Pop's Screaming Life and Fopp EPs, SST's Ultramega OK), Soundgarden was one of the first bands of the late-'80s Seattle underground to sign with a major label, A&M, which issued Louder Than Love in 1989. After the album's release, however, Yamamoto left and was first replaced by ex-Nirvana member Jason Everman, and eventually permanently by Ben Shepherd. With Soundgarden's quintessential lineup in place, the band rightfully became one of rock's most popular bands on the strength of such albums as 1991's Badmotorfinger, 1994's Superunknown, and 1996's Down on the Upside. With each album, Cornell's singing grew stronger and stronger and farther away from the heavy metal screaming of the band's early work and more toward a true singing style. Cornell also showed a great talent for lyric-writing; while his lyrics wouldn't make sense if read without the music, they evoked all kinds of images when he put the two together.
Besides Cornell's vast talents displayed with Soundgarden, he organized a tribute for late Mother Love Bone singer Andrew Wood in the form of 1990's Temple of the Dog project, which was far more stripped-down. Cornell's first officially released solo composition, the acoustic "Seasons," was the highlight of the 1992 motion picture soundtrack Singles. His bluesy voice also worked amazingly well on a superb cover of Jimi Hendrix's "Hey Baby (New Rising Sun)" on the 1993 Stone Free: A Tribute to Jimi Hendrix compilation (under the pseudonym MACC). He also found time to pen songs for other acts, such as Flotsam & Jetsam and Alice Cooper, as well as producing the Screaming Trees' 1991 release Uncle Anesthesia. After Soundgarden's demise in April of 1997, Cornell slowly but surely began to put a solo album together with his friends from the band Eleven.
Finally issued in 1999, Euphoria Morning was a departure from his former band's sound, as it was in a more singer/songwriter mold, which focused more on Cornell's vocals and lyrics than meaty guitar riffs. Shortly after its release, Cornell launched his first solo tour, mixing songs from all eras of his career. After wrapping up the aforementioned tour in early 2000, a tepid remix of the Euphoria Morning track "Mission" (retitled "Mission 2000") was included on the Mission Impossible 2 soundtrack. It appeared as though Cornell would take a break from music for a while, as his wife gave birth to the couple's first child in June of the same year, but by late 2000, Cornell found himself involved in a project that promised to be a classic hard rock collaboration.
Rage Against the Machine decided not to break up after longtime vocalist Zack de la Rocha left the band that winter, but rather they would find another singer and carry on under a different name. Cornell accepted an invitation to jam and pen a few songs (which former Rage guitarist Tom Morello described as "really groundbreaking") and, shortly thereafter, officially joined forces with the former Rage members under the moniker Audioslave. Produced by Rick Rubin, the band's self-titled debut arrived in November 2002 and went multi-platinum. The follow-up, 2005's Out of Exile, debuted at number one on the Billboard charts and was followed by the platinum-selling Revelations in 2006. Cornell left the band that same year, citing the usual "irreconcilable differences," and began work on his second solo record, 2007's Carry On, a topical, biographical, and musically confused whirlwind featuring a cover version of Michael Jackson's "Billy Jean" and "You Know My Name" from the Bond movie Casino Royale. ~ Greg Prato, All Music Guide

Brady Brock

While growing up in his native Houston, singer/songwriter Brady Brock found himself following punk's hard edge. He joined a band called the Grimple Twins and began playing bass and guitar. By the time he finished college, Brock had already traded his southern roots for the New York City way of life. He developed a fondness for the basic acoustic and started writing songs. Mixing indie-pop stylings with a dash of emo, he released I Will Live in You Where Your Heart Used to Be on his own label, Feel Records in March 2002. Critics praised the record, giving Brock the motivation to continue with his songcraft. A year later he returned with the melodic storm, Warm American Sweater. Collaborations with Tim Rutili (Red Red Meat/Califone), Tobias Kuhn (Miles), Patrick Berkery (Bigger Lovers), David Clement, Erin Hall, Brian McTear (Bitter, Bitter Weeks), and Erick Jordan (Fevered Cheek) made this Brock's most fleshed out material to date. ~ MacKenzie Wilson, All Music Guide

Chris Brown

Although he started out as an aspiring rapper, Chris Brown's early discovery of his singing talent inspired him to follow in the footsteps of influences like Michael Jackson, Tevin Campbell, and Usher. The 16-year-old Virginia native made his debut in summer 2005 with the Scott Storch-produced, Juelz Santana collaboration "Run It." Brown's first album, Young Love, will be released in October.

Robert Bradley's Blackwater Surprise

An anachronism in the world of late-'90s rock & roll, Robert Bradley's Blackwater Surprise consists of the group's namesake, a wizened Detroit street singer, plus three relatively fresh-faced alterna-kids as a backing band. Robert Bradley was born in Alabama, but gained musical experience and spirit by singing as a child at The Alabama School for the Blind, playing his acoustic guitar at coffeehouses, and piano in Baptist churches. He had spent several years in Detroit by 1994, performing occasionally on the street just to be heard, when guitarist Michael Nehra, bassist Andrew Nehra, and drummer Jeff Fowlkes (formerly in the Detroit band Second Self) overheard Bradley through an open window while rehearsing for a new project. After listening to Bradley sing for an hour, they invited him up to the studio to record several acoustic songs, then invited him to become their vocalist.

The Nehra brothers' production experience (with Detroit locals Majesty Crush) helped out the group while recording their debut album, 1996's Blackwater Surprise. The band's eccentric background and energetic live show -- almost gospel in feel -- gained them many fans on frequent club dates as well as arena shows opening up for the likes of the Dave Matthews Band, Big Head Todd & the Monsters, Widespread Panic, and Maceo Parker. Robert Bradley's Blackwater Surprise also did well on alternative radio and VH1. Keyboard player Tim Diaz joined up as well prior to the band's sophomore effort, 2000's Time to Discover. In 2002, they released New Ground, followed in 2003 by the softer, piano-based record Still Lovin' You. The next year Bradley starred as fictional bluesman Otis McClanahan in the HBO film Lackawanna Blues, also contributing to the soundtrack, and in 2006 the live two-disc album What About That: New Year's Eve in Bloomington came out, which was recorded during a 2005 concert at the Indiana city's club the Bluebird, one of Bradley's favorite venues. ~ John Bush, All Music Guide

Chomsky

Dallas-based alt-pop quintet Chomsky is comprised of members Matt Kellum (drums), Sean Halleck (guitar, vocals), Glen Reynolds (guitar, vocals), Don Cento (keyboards), and James Driscoll (bass), most of who met each other during their college careers. Musically comparable to such late-'90s pop-punk chart-toppers as Blink 182, Green Day, and Weezer (with perhaps a dash of such emo outfits as Sunny Day Real Estate mixed in), Chomsky issued a pair of releases -- 1999's A Few Possible Selections for the Soundtrack of Your Life and 2001's Onward Quirky Soldiers. Chomsky's work hasn't gone unnoticed in their home region, as they've won awards for Album of the Year and Best Rock/Pop Act from the Dallas Observer, as well as Best New Act and Best Rock Band by FW Weekly, and were elected by radio listeners to play the 2001 KDGE Edgefest. ~ Greg Prato, All Music Guide

Boyz N da Hood

In mid-2003, four of the ATL's hardest solo MC's, Duke, Big Gee, Jeezy and Jody Breeze, came together to form the super-group Boyz N Da Hood. Referred to as the "NWA of the South," Boyz N Da Hood aren't just another crunk group from the ATL, these Boyz have a message. Reminiscent of NWA and The Geto Boys before them, the Boyz spit ardent, socially-charged rhymes over heavy-hitting beats. From the outset, the group sought to create music that would be true to the eyes and ears of the streets of ATL. After putting together a 15 song demo, the group shopped their work around to various labels before it landed in the lap of an initially-reluctant P. Diddy. After a brief courtship, Diddy signed the group to Bad Boy in 2004. In 2005, the group hit the airwaves with "Dem Boyz" as their lead single and, shortly thereafter, shot the single's video, featuring P. Diddy. The group's self-tiled debut album, Boyz N Da Hood, dropped on June 21st of 2005 and features production from southern hip-hop mainstays Jazze Pha, Frank Nitti and DJ Toomp.

Chiodos

Originally known as the Chiodos Bros., the sextet better known as simply Chiodos (pronounced "chee-OH-dose") -- named after an obscure '80s horror movie term -- came together during high school in their hometown of Davison, MI, located just outside of Flint. Citing influences like Saves the Day, At the Drive-In, and Queen, the band's sound was a melting pot of punk energy, metal riffing, melodic instincts, piano tinkering, and occasional electronic beats that prevented an easy genre classification. Comprised of vocalist Craig Owens, keyboardist/vocalist Bradley Bell, guitarists Pat McManaman and Jason Hale, bassist Matt Goddard, and drummer Derrick Frost, the band recorded a demo, The Best Way to Ruin Your Life, in June 2002. The release, along with the band's energetic and powerful live show, helped bolster a notable local following.
They next self-recorded and produced the seven-song The Heartless Control Everything in McManaman's bedroom, which was subsequently issued by Ann Arbor-based indie Search and Rescue in January 2003. Following the release, the guys hit the road hard, trekking across the nation seven times over, including shows with Yellowcard and Coheed & Cambria. All this activity and buzz eventually led to a 2004 signing with Equal Vision, which then released All's Well That Ends Well in July 2005. Chiodos stayed on the road and spent early 2006 playing Sub City's Take Action Tour and a successful spot at Bamboozle. A full summer's worth of shows got underway that May, including a handful of Warped Tour dates, before spending fall opening for heavy-hitters Atreyu. Owens was also involved for a time in the rotating cast of musicians that made up the Sound of Animals Fighting. After returning to the studio, this time with producer Casey Bates, the band titled their new album Bone Palace Ballet after a book of poems by Charles Bukowski and scheduled to release it in September 2007. ~ Corey Apar, All Music Guide

Boyz II Men

According to no less an authority than the RIAA, Boyz II Men are the most commercially successful R&B group of all time. They've sold ludicrous numbers of records and been involved in three of the longest-running number one pop singles in history, and they've done it as a unit of equals. In fact, their four-part harmonies blend so smoothly that most of the general public would be hard pressed to name any of the group's individual members. And that's no reflection on their skill as singers; Boyz II Men were among the first male urban soul artists to adopt the sort of hyper-technical melodic embellishments that were popularized by virtuosic divas like Whitney Houston and Mariah Carey. Their early music was indebted to new jack swing, but the group quickly found their forté in lush, soulful ballads, where their harmonies could be showcased to greatest effect. Boyz II Men may never duplicate their incredible run of success during the first half of the '90s, but that's a near-impossible task for anyone, even with the broad-based appeal of their clean-cut romantic image.

Boyz II Men were formed in 1988 at Philadelphia's High School of the Creative and Performing Arts. Founding members Nathan Morris and Marc Nelson had been singing together for several years, but had trouble keeping a group together simply due to members graduating. Things finally stabilized when they hooked up with Wanya Morris, Shawn Stockman, and bass vocalist Michael McCary; calling themselves Unique Attraction, the quintet performed a well-received Valentine's Day show for their school and developed a repertoire that leaned heavily on New Edition songs (one of which, "Boys to Men," gave them their name). Their big break came in 1989, when they snuck backstage at a Bell Biv DeVoe concert and wowed group member Michael Bivins (also formerly of New Edition, and a budding music entrepreneur) with an a cappella version of New Edition's "Can You Stand the Rain." Bivins offered them a deal right there, but Nelson would not stick around to be part of it; personality conflicts led to his departure soon after (he later resurfaced as a member of Az Yet).

Down to a quartet, Boyz II Men entered the studio to record their debut album, Cooleyhighharmony, for the legendary Motown Records. Backed by the new jack production then in vogue, they dubbed their sound "hip-hop doo wop," though as a vocal harmony group they were more indebted to R&B of the '60s and '70s. Cooleyhighharmony was released in 1991, and its first single, the uptempo dance track "Motownphilly," rocketed up the charts, going Top Five pop and number one R&B on its way to platinum sales. The a cappella ballad "It's So Hard to Say Goodbye to Yesterday," a cover of a song from the film Cooley High, also hit the pop Top Five and topped the R&B charts, and went gold. Meanwhile, the album won a Grammy for Best R&B Vocal Performance by a Duo or Group. Boyz II Men joined MC Hammer's Too Legit to Quit tour in 1992, but tragedy struck when tour manager Khalil Roundtree was shot and killed in Chicago; the group rededicated "It's So Hard to Say Goodbye to Yesterday" to him.

The tragedy notwithstanding, Boyz II Men had had an extremely auspicious beginning to their career. Still, nothing could have foreshadowed the group's Midas touch over the next few years. Briefly entering the studio in between concert gigs, Boyz II Men cut a smooth Babyface ballad called "End of the Road" for the soundtrack of the Eddie Murphy film Boomerang. Released as a single, it became not just a blockbuster, but one of the biggest hits in history; it spent 13 weeks at number one on the pop charts, an incredible run that broke the record of 11 weeks Elvis Presley had held ever since 1956 with the double-sided single "Don't Be Cruel"/"Hound Dog." "End of the Road" won a slew of awards and cemented Boyz II Men's star status beyond any doubt; while crafting their next album during 1993, the group released a couple of placeholders: a Top Five cover of the Five Satins doo wop classic "In the Still of the Nite," from the TV movie The Jacksons: An American Dream, and the holiday album Christmas Interpretations. (Also that year, Whitney Houston's "I Will Always Love You" broke "End of the Road"'s record with 14 weeks at number one.)

The post-"End of the Road" buzz helped make Boyz II Men's next album, II, an instant smash when it arrived in 1994, even though it didn't include "End of the Road." Produced by the likes of Babyface and Jimmy Jam & Terry Lewis, rather than Bivins (who wanted to concentrate on developing new artists), II debuted at number one on its way to sales of over 12 million copies. The first single, "I'll Make Love to You" (also penned by Babyface), raced up the charts and wound up tying Houston's short-lived record, with 14 weeks of its own at number one -- a staggering feat in itself, made all the more amazing by the fact that the group had already set the record once. Moreover, the follow-up single, "On Bended Knee," actually replaced "I'll Make Love to You" at number one for a six-week run of its own; only Elvis and the Beatles had ever replaced themselves at number one. "Thank You" was a relative flop, not quite making the pop Top 20, but "Water Runs Dry" returned them to the Top Five, falling one slot short of number one. Boyz II Men spent much of 1995 touring the U.S. and beyond in support of II, and also opened their own recording studio. They spent some time recording collaborations with other artists: Wanya Morris duetted with Brandy on the hit "Brokenhearted," and the whole group sang on Michael Jackson's "History" and LL Cool J's "Hey Lover." The biggest one, however, was a song done with Mariah Carey called "One Sweet Day." Featuring two of the biggest chart powerhouses in the industry, "One Sweet Day" was virtually a guaranteed blockbuster, and it went on to spend 16 weeks at number one on the pop charts, debuting there in December 1995; it was the third such record-setting single of Boyz II Men's career.

Over the group's objections, Motown released a piece of cash-in product titled The Remix Collection in late 1995; in retaliation, Boyz signed a distribution deal with Sony, not Motown, for their new vanity label, Stonecreek. It was the beginning of a souring relationship that only worsened upon the release of Boyz II Men's next album, Evolution, in 1997. The record started out strong, debuting at number one and sending "4 Seasons of Loneliness" to the same position on the singles charts; its Top Ten follow-up, "A Song for Mama," gave Boyz II Men their record-setting seventh platinum single. However, Motown was unable to throw its full promotional muscle behind the record (perhaps because of their transition to a new label president), meaning that Evolution didn't have nearly the shelf life of II, selling only two million copies. It didn't help that critics were less than enthusiastic, questioning the album's title since the music itself was more of the same. The group was also forced to postpone parts of their supporting tour when Wanya Morris developed a benign polyp on his vocal cords. He recovered fully, though, and in early 1999, amid major record company mergers, the group got their contract transferred from Motown to Universal.

For their next album, Boyz II Men assumed greater control over songwriting and production, handling a greater share of each by themselves. The resulting record, Nathan Michael Shawn Wanya, was released in 2000, and while it received better reviews than Evolution, it continued the group's downward commercial slide, only going gold and producing a smaller-scale hit in "Pass You By." The group subsequently signed with Arista Records. In summer 2002, Boyz II Men kept with their sophisticated approach for the aptly titled release Full Circle. Michael McCary left the group in 2003 due to problems with scoliosis. In 2004 the remaining members released Throwback, an album filled with covers of their favorite songs. Their 2007 effort The Remedy was initially only available through the band's official website. ~ Steve Huey, All Music Guide

Chingy

Reminiscent of Nelly and repped by Ludacris -- the Dirty South's two biggest stars in the early 2000s -- Chingy had all the makings of a rap sensation and indeed lived up to his promise immediately, when his debut single, "Right Thurr," became an overnight summer anthem in 2003. Like Nelly and his St. Lunatics posse, Chingy is a St. Louis native, debuted at a young age, and boasts a Southerrn dialect. All of this made him considerably marketable in the wake of Nelly's massive success the summer before. Ludacris and his manager, Chaka Zulu, noted this and were quick to sign Chingy to their fledging Disturbing the Peace label and rush-released his debut single, "Right Thurr." The party rap track blew up in the clubs first, especially throughout the South, and quickly infiltrated urban radio in the midst of summer while simultaneously climbing to the upper reaches of the Billboard Hot 100 chart (peaking at number four) and getting rotated heavily on MTV, where it was billed as "buzzworthy." "Holidae In" and "One Call Away," two other singles spun off the Jackpot album, fared almost as well. By the end of the following year, the follow-up -- Powerballin' -- was in stores. Anticipation sent it to the Top Ten of the album chart the week after its release, but it wasn't nearly as successful as the debut. The MC's third album, Hoodstar, was released in 2006, led by the Top 20 hit "Pullin' Me Back." ~ Jason Birchmeier, All Music Guide

Chimpz

Boys Night Out

Ontario-based pop-punk/emo/lotsa yelling combo Boys Night Out included vocalist Connor Lovat-Fraser, guitarists Jeff Davis and Rob Pasalic, bassist Dave Costa, and drummer Ben Arseneau. They debuted in 2002 with Broken Bones and Bloody Kisses (Ferret Music) and immediately began a furious touring regimen that would continue nearly unabated until the end of eternity. (Fellow travelers included types like Brand New and Coheed & Cambria.) BNO returned to wax in April 2004 with the slicker and more melodic Make Yourself Sick. It featured totally hilarious song titles like "I Got Punched in the Nose for Sticking My Face in Other People's Business" and set up some MTV exposure and a round of Warped dates. Their conceptual follow-up, Trainwreck, appeared in July 2005. The DVD Dude, You Need to Stop Dancing was released via Ferret a year later, and the digital-only EP Fifty Million People Can't Be Wrong followed in February 2007. ~ Johnny Loftus, All Music Guide

Boys Like Girls

Unafraid to wear their heart on their collective sleeve, Boston-based pop/rock outfit Boys Like Girls feature singer/guitarist Martin Johnson, bassist Bryan Donahue, drummer John Keefe, and guitarist Paul DiGiovanni (the last two being cousins). After Boys Like Girls posted some early demos online, the band's catchy hooks and youthful enthusiasm had gathered them quite a following by 2005's end, while also catching the attention of industry players like booking agent Matt Galle (My Chemical Romance, Taking Back Sunday) and producer Matt Squire (Panic! at the Disco, Northstar), who both contacted the band about working together. Following a national PureVolume-sponsored tour with Hit the Lights and A Thorn for Every Heart, Boys Like Girls entered the studio with Squire to record their debut album. The resulting self-titled effort appeared in August 2006 on Red Ink. ~ Corey Apar, All Music Guide

Chimaira

Formed in 1998, the Cleveland, OH-based hardcore sextet Chimaira consists of singer/screamer Mark Hunter, guitarists Matt DeVries (who replaced Jason Hager in mid-2001) and Rob Arnold, bassist Jim LaMarca, drummer Andols Herrick, and electronic specialist Chris Spicuzza. The band's mixture of hardcore, metal, and electronics proved to be a big hit back home, as they sold 10,000 copies of their independently issued debut EP, This Present Darkness, leading to an appearance on the now-defunct USA Network TV show Farmclub. The band opened for the likes of Soulfly, Hatebreed, Spineshank, and Snapcase and was eventually signed to Roadrunner Records, issuing their 14-track debut full-length, Pass Out of Existence, in August 2001. The Impossibility of Reason followed on Roadrunner in May 2003, and Chimaira supported the effort with extensive touring, including dates with In Flames and appearances at Ozzfest 2003. After the release of the DVD collection The Dehumanization Process and addition of new drummer Kevin Talley (ex-Misery Index) in 2004, the band unleashed their third album, Chimaira, in 2005. Though a strong record, internal problems and ones with their label threatened to tear the band apart in the months following its release. They soldiered through it all, however, and by fall 2006 Chimaira had moved on from Roadrunner, inked a new deal over at Ferret, and began work on new material. Earlier that year, the band also welcomed back original drummer Andols Herrick. More of a team writing effort than their last album, the resulting Resurrection appeared in early March 2007 courtesy of a rejuvenated band, and Chimaira supported its release on the road with Killswitch Engage and Dragonforce. ~ Greg Prato, All Music Guide

Children Of Bodom

To a promising quintet hailing from Finland, it was acknowledged that few bands these days set out to do something creatively unique without giving any thought to whether or not it would be commercially acceptable. Therefore, in 1997, the band in question, known as Children of Bodom, got together with the sole intention of making music that would adhere to no previously constructed guidelines. Their uncompromising attitude and undying work ethic helped them become one of the most influential thrash metal bands to emerge in recent years. Putting no limitations on their musical insanity they embraced a furious onslaught of dual guitar shredding mixed with dazzling keyboard mastery known as black metal. This distinctive musical style walks a fine line between the melodic and thrash, quickly catching the attention of metal fans worldwide. Almost six years together, the group continues to create some of the most relevant, exhilarating music as they rapidly approach the coveted legendary status so many strive for. Their fourth full-length offering, Hate Crew Deathroll, takes things to the next level proving to fans and critics alike that this hate crew are only just getting started. Children of Bodom formed in Espoo, Finland around spring 1993 and were named in reference to one of the most notorious mass murders in Scandinavian history. In the early days there were lots of line-up changes and the only two original members in the current line-up are guitarist/lead vocalist Alexi Laiho and drummer Jaska Raatikainen, along with subsequent roster addititions including guitarist Alexander 'Ale' Kuoppala, bassist Henkka Blacksmith, and keyboardist Janne Wirman. While Laiho was filling in on guitar for black metal kings Thy Serpent, he forged a bond with singer Sami Tenetz, who, in turn, made a special visit to the Spinefarm Records office one day with the raw mix of Children of Bodom's debut album, completely blowing everyone who heard it away. Laiho and company ended up signing a three album deal with Spinefarm Records the very next day. Laiho then solely concentrated his efforts on Children of Bodom, and with a rejuvenated line-up intact the group immediately entered Astia Studios in their hometown. Their debut album, Something Wild, was released in Finland in November 1997. After numerous European shows, the band was already being hailed as ‘the new kings of the metal underground' by the European media. A licensing deal with Nuclear Blast Records for central Europe and the U.S. was soon inked, and with a huge buzz around them, Children of Bodom decided to immediately head back into the studio. The group upped the ante with 1999's Hatebreeder that featured nine blistering tracks pushing every musical aspect to its absolute maximum. Their second full-length album garnered positive reviews worldwide and the group quickly established a strong national presence. Due to the incredible press reactions they were able to make their first U.S. appearance at the esteemed Milwaukee Metalfest that summer. They were easily the most talked about band of the weekend. Just two years later the hate crew returned with Follow The Reaper that saw them focus more on their songwriting, offering catchier melodies and groove-filled hooks, while not compromising their aggression. Children of Bodom were now determined to create their most destructive, overwhelming offering to date, and with Hate Crew Deathroll this goal was achieved. They went back to Astia Studios with producer Anssi Kippo and the result is nothing short of awesome. The group has taken their songwriting to new heights incorporating more aggression, melody and sheer overwhelming power, knowing no limits to their musical boundaries. Laiho spits out lyrics with venomous hate, the twin guitars insanely shred everything in their wake with razor-sharp precision, while the rhythm section pounds away as if the world is about to end. This is all while blaring keyboards complete the path of destruction with fervor and accuracy. Over the past year Children Of Bodom have been extremely busy promoting their new album throughout Japan and Europe, touring with label-mates Shadows Fall and Soilwork. The group also garnered mainstream acclaim after their rousing appearance at this year's SXSW festival. Century Media's main focus now is to concentrate their efforts in building a strong presence for them throughout the U.S. starting with a nationwide tour in November of 2004. Therefore, it will not be long before the hate crew brings death to your door.

Boy Sets Fire

Progressive hardcore band Boy Sets Fire was formed in Delaware in 1994 by singer Nathan Gray, guitarists Josh Latshaw and Chad Istvan, bassist Darrell Hyde, and drummer Matt Krupanski. Self-releasing their debut single, "Consider," in 1995, Boy Sets Fire soon resurfaced with a split release with Jazz Man's Needle, winning acclaim not only for the intensity of their live dates but also the intensity of their political convictions. The band's debut full-length, The Day the Sun Went Out, followed in 1997 and a split single with Snapcase preceded the 1999 release of In Chrysalis. Bassist Rob Avery replaced Hyde for 2000's After the Eulogy, the band's first release for new label Victory Records; This Crying, This Screaming, My Voice Is Being Born was released later that summer. Sucker Punch was issued in early 2001.

Boy Sets Fire left Victory for the major label Wind-Up in 2002 and quickly released the Live for Today EP as an introduction. It featured four new tracks and two live recordings. Next, they entered the studio with producer Dave Fortman (12 Rods, Evanescence) to record their full-length Wind-Up debut. Tomorrow Come Today arrived in April 2003 and was a progression toward accessibility. However, the new direction didn't lessen Boy Sets Fire's fiery political convictions in the least. The album included an incendiary political rant on its inside flap, and its controversial lyrics rankled some religious groups. A limited version of Tomorrow Come Today was also released with an accompanying DVD of live material and behind-the-scenes footage. The band toured behind Tomorrow but, soon after the record's release, lost bassist Avery, whom they replaced with Rob Ehrenbrand.

Wind-Up turned out to be a wrong fit for Boy Sets Fire, so in summer 2005 they signed with Equal Vision (Burning Heart in Europe), which issued Before the Eulogy that fall. Their solid and eclectic fourth full-length, Misery Index: Notes from the Plague Years, followed in March 2006. Unfortunately, however, the album turned out to be their last. By the end of July, the band announced they'd be calling it quits after some final shows via a message on their website. Soon after the announcement, though, Latshaw had an accident at his construction job and suffered a broken neck, collapsed lung, and two broken vertebrae. Boy Sets Fire finished up their scheduled European tour with their guitar tech filling in, but waited on setting final American dates; their final show together finally occurred in early June at Philadelphia's Trocadero Theatre. ~ Jason Ankeny & Johnny Loftus, All Music Guide

Cheyenne Kimball

Texas native Cheyenne Nichole Kimball had a love for music at an early age. At the age of 7 she was given a guitar as a gift and by age 8, she penned her first song--"All I Want Is You". Three months and 12 songs later, she booked herself in a local contest performing her own original material and placed 2nd, overall. Her performance elicited offers for performance from clubs and coffee houses all over her home state. She continued to write and perform for local clubs and benefits, maturing rapidly, while growing a loyal fan base in the area.
At 12, Cheyenne read that auditions for the NBC television show "America's Most Talented Kid" where taking place in Dallas. After auditioning and subsequently competing in the show, Cheyenne took first place, winning the Grand Finale. In October, 2003, Cheyenne signed a multi-record contract with Sony/Epic. Her new album, set to arrive in stores in the spring, is a collection of songs showing a true maturity as a writer and performer. All of the material was written by Cheyenne, collaborating with some of the heaviest hitters in the production world.